![]() Then again, subversion is what School Daze is all about. It's a canny subversion of the normal snobs-versus-slobs tropes that define the college comedy genre. On the other are Lawrence Fishburne's Dab and the rest of the students who have darker skin and kinkier hair and are more devoted to political causes than, say, homecoming. On one side of School Daze, you have the light-skinned, straight-haired students who pledge the Gamma Phi Gamma frat and Gamma Ray sorority, as epitomized by Breaking Bad and The Mandalorian's Giancarlo Esposito. In addition, if you like what you see here, Lee also turned She's Gotta Have It into a TV comedy, the first two seasons of which just happen to be Netflix exclusives. The focus on community, the canny stylistic flourishes like the moment in which the black and white film momentarily switches over to color, and the intimacy of the production (Lee's father, Bill, provided the soundtrack) would, over time, become some of Lee's hallmarks. Still, you can see all of the hallmarks of Lee's later career here. Not all of She's Gotta Have It has aged well, especially one excruciating scene that Lee calls his biggest regret as a filmmaker. Lee himself plays Mars Blackmon, who's a funny guy but certainly isn't long-term relationship material. Greer Childs, a model, is self-absorbed to the point of hilarity. Her most conventional romcom partner, Jamie, dresses well and is polite, but kind of boring. Even today, a female-focused, sex-positive point of view is rare in film, and it makes watching Nola's tussles with her three very different lovers endlessly fascinating to watch.
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